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#Cliffs of dover guitar backing track professional#

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“And wouldn’t you know it – that’s the only time I won! It’s kind of funny. I figured, All these other people are better known than me. “I had been nominated a few times before and never won,” he says, “so when ‘Cliffs of Dover’ was nominated, I didn’t go to the show. Johnson took his newfound fame and Grammy nomination in stride. Shane’s work paid off when “Cliffs of Dover” became one of the most-played rock instrumentals of its day, hitting No. Features looping, audio slow-downer, minus guitar or minus band, click track, and morethe best tool for learning guitar songs on the web. He wanted people to hear the song, and he did everything he could to make it a hit.” “They Really Like Me” Cliffs of Dover G-Plus song lesson by Eric Johnson.Includes video lesson, artist-approved notation, and professionally produced audio backing track. “They didn’t think the record would do anything.” However, one of the label’s promo men, Jeffrey Shane, loved Ah Via Musicom and thought “Cliffs of Dover” was a single.

“They were like, ‘Whatever,’” he remembers.

Johnson was ecstatic with the job mastering engineer Bernie Grundman did on the EQ (“He really got the track to sound perfect”), but he was dismayed at Capitol’s initial reaction. Guitar effects were minimal: “It’s just an Echoplex into a Tube Driver, and that went into a 100-watt Marshall with a 4x12 cabinet.” I played it all the way through with my Strat, but the solo didn’t sound as clear and elegant as I wanted, so I punched in an ES-335 for the main solo You can hear the tone difference, but that’s okay – the spirit is there.” Then it goes back to the Strat for the end. “In the studio, I tried a few versions until I got something that sounded right.” His band blazed through two or three takes of the track before arriving at a keeper, but Johnson was unhappy with his guitar sound.Īs he explains, “I played it all the way through with my Strat, but the solo didn’t sound as clear and elegant as I wanted, so I punched in an ES-335 for the main solo.

“It varied every time I played it live,” he says.

Before the main song, he included a freeform improv section that he had always played live. After signing with Capitol Records in 1989, Johnson decided to finally record “Cliffs of Dover” in a studio.